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One might describe the method of composition as non-Schoenbergian 12-tone-music. The technique tends to effect certain types of saturation (pitch class, register, tempi, dynamics). The whole piano sings more or less constantly, similar to certain total serial musics (e.g. Boulez' Structure). Unlike that old music though, the logic here doesn't make the individual note the atomic unit of reasoning. As a result, the listener should find the music more legible, more narrative, and perhaps even more vocal.
The cover art derives from the same structure that underlies the music.
This is a MIDI realization. The composer is not himself a pianist and would feel grateful concerning all inquiries from prospective performers.